This is the cover of my copy of Roland Masvi's Flowers of Yesterday, a collection I reviewed in 1996 for The Herald. I was going through my old stuff when I saw this book in my old collection. As I was flipping through the pages, I saw the cut-out for the original review, which in part reads: "This is a collection of highly esoteric poetry..., which can be charged of what Afrocentric scholars have described as 'piles of esoterica and ostentatious erudition'... The language is to the ordinary reader opaque, the imagery is inaccessible and the symbolism is surprisingly unusual but invitingly novel...real food for scholars." The review just reminds me of the Chinweizu days, when we, as university students, had rediscovered African literature and its theory. Talking about Afrocentricity had a certain appeal, and we were looking at a lot of writing through the lenses of this newly-discovered Afrocentricity. Looking back, perhaps there was more in Mhasvi's poe
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Chris